Big showy brief blooms – day lilies. These are a weakness of mine and for many years I have been going to nurseries and invariably get stopped by these beauties. Two years ago I put a moratorium on the purchase of them. There is just no more room in the garden for them. For the last couple of weeks they have been their spectacular best, although not all at one time. When one comes out I run out early evening to get the best picture I can.
For many years I taught a Ruth McDowell piecing technique, with her permission, from a publication of hers entitled “Pieced Flowers”. The piece I chose to teach was the Day Lilies straight seam quilt with inset corner seams. The neighbours I am sure wondered about the somewhat crazy person going out into the garden again and again, clutching pieces of fabric in her hand and holding them up to whatever day lily was blooming that particular day. While I now have many more cultivars the deep burgundy one with the chartreuse centre called Burgundy Shadow is still my favourite.
This year I have taken some photos out of focus and I see an abstract day lily coming on.
Four days this week were spent at the Royal Alberta Museum with Tracey Kuffner, a wet felt artist from Duchess AB. The first three days were employed in making three- dimensional shapes. First we made a four-sided shape, that is the little white hershey kiss shape. This was my first effort at this kind of dimension using a resist. It was also resist in a new medium, a piece of soft spongy plastic to stop the layers from felting together. From that sample we proceeded to a six sided figure. This time much larger. It could be a sculpture and I do like mine well enough to use it as that but I also have another idea. That idea needs some mulling over to see it if is worth pursuing. On the third day we made circles that are basically accordion shaped with a hollow centre. This piece could become a lamp shade. Several hours with another workshop participant at Ikea didn’t produce a table lamp of the right height. However I also gained a couple of ideas for that concept. A tam or a necklace. Now just to find some time to work on these concepts..
Sunday, today we made a scarf using silk pieces to create an interesting shape. This was by far the workshop part I liked best. I did complete my scarf. There are several techniques that need to come together in order to create a great scarf. Mine will benefit from being repeated but it is wearable and I like it. Tracey showed us how the scarf can be used decoratively and convert with a little arranging to a very practical winter scarf.
Tracey makes these scarves, with a new twist each year and sells them at shows she travels to each year. So keep in touch via her website – The Wool Mine or on Facebook to find a show near you. She does many different items as well – mittens, gloves, jackets, slippers and other items besides scarves.
It was a delight to work with Tracey. She is very knowledgable about different wools, how they work and very experienced in obtaining good results. She worked with each one of us individually to help solve problems and made creative suggestions so that each scarf was unique to the maker.
Tracey brings in a wet felt artist each year and if you are interested in working with some different artists do keep in contact with her.
This workshop was offered through Focus on Fibre Arts Association. This is an umbrella group that supports development and education of all the fibre arts and has a bi-annual show. Check out the website for information on the 2016 show with the theme “My Heritage”.
One last note – a hidden gem – the cafeteria at the Royal Alberta Museum. Great wraps and sandwiches, sweet potato fries great pastries, generous portions and reasonable prices. Worth checking out.
Posted in art, Clothing, creativity, Design, Food, Quilt Judging, Textiles
Tagged art, clothing, creativity, fibre, food, inspiration, textiles, wet felting, winter
Today is July 7 and I am excited to share two wonderful events in my garden. I went out this afternoon to check the raspberry patch. There are lots of small raspberries hanging from the bushes. However there didn’t seem to be anything bright red at all. A closer look displayed one lone ripe berry. This is an occasion for me and before I popped it my mouth to savour the flavour I took a picture. Close as I could come, but think about the taste of a ripe, warm from the sun, fresh from the garden berry on your tongue.
Then there was a second event. My first sweet pea. It is white and fragrant and surprising as usually I am lucky if my sweet peas bloom by the end of August. However this year I really made a concerted effort to plant for the first full moon in April. So can you picture me out on my knees in the snow before I went to the campaign office one morning pushing the prepared seeds into the ground. The test will be if it happens again next year. It could be that we have had such a hot spring or it could be that I just got it right with the planting time this year. Why are there so many variables to take into account.
Happy Canada all!. After a wonderful walk in the valley this morning I am home now and ready for the final preparation for my Canada Day Party. This year is a smaller party but with much the same format. Friends gather in the afternoon to sit on the patio and we work on a craft. This year I have come up with a Canada bookmark. This is much easier than the wool wallhanging from two years ago that took two years to complete. It will be fun, with lots of embellishments to choose from. So a little embroidery, a little sangria, a lot of visiting.
Later some little people will come for a barbecue and some fun. This year I don’t think that any of my friends will stay to walk down to see the fireworks. They should be very good as there will be music synced to the lights on the High Level bridge which should be spectacular followed by the fireworks.
We are so fortunate to live in a democracy where we have a lot of individual freedom and lots of opportunity to help make Canada a better place to live for so many who are not so fortunate. Particularly today I am thinking of the First Nations women who are missing or disappeared. We need to support an inquiry – to look at the root causes in a detailed way and put a plan in place to change the root causes. So not just talk but action to make a difference.
It is hard to believe that it has been a month since my last post. When I reflect on all that has occurred in that month I am amazed. However today is to continue on with that I said in my last post with the benefit of what I experienced and learned in the workshop in Lethbridge.
Part of the reason that I attended was I wanted to learn how to make objective critiques. A clear focus was on doing just that. When one comes onto the judging floor the entire focus is on the quilts in front of you. There is simply no time to wonder who made them. The judge(s) look at each quilt first from a design standpoint, then workmanship and lastly construction and finishing. Design is the biggest. All need to come together to be a prize winner, especially in a juried show like Canadian Quilters Association (CQA) National Juried Show.
The biggest part of the judge’s work is to make positive, helpful critiques for the quilt maker. These critiques most often include a constructive way that the quilt could be strengthened or improved. This constructive feedback is what most quilters are looking for. For example – is there something that I could have done better or differently to make my quilt better or stronger visually.
Most of our work in the class was becoming familiar with the process and especially how to word critiques so that they are objective and constructive. This was augmented by homework that gave us more time to practice analyzing quilts and making critiques. Making these critiques objectively depends on knowing what the design elements and principles are.
The process is made a little easier by not knowing who made the quilt. Of course if you do recognize the quilt maker as a judge you must ignore that and follow the process. Easier said than done when you recognize the maker and she is in the room. That scenario happened to me at the judging workshop. Luckily I was judging with another judge who did not know and so I was able (without revealing what I knew) to defer to her opinion.
That leads me to something else that I have become conscious of. A quilt competition entrant will submit her best work and in a juried show only the very best work will reach the judging floor. Many Canadian shows are not juried for various good reasons. Each quilt must be treated with the respect you would want your quilt to be afforded. Further if you are the judge then you must word your comments to display respect as well as objectivity. Additionally the maker of any given quilt may be in the room as the judging is taking place. The pool of quilters submitting to a show are likely the same pool of volunteers who stage the quilt show.
Another role of a quilt judge is to select the ribbon winners. I confess to often feeling let down about my outcomes in a quilt show when I know that I have submitted my best work and that I think it is outstanding. So my personal learning is that I have blinders about my own work. Hence the need for constructive critiques. My biggest revelation was that how well my quilt does, (if design and workmanship are equal) depends on who is in the same category on any given day. So in one show my quilt might not win but in another it might. This puts entering quilts into a show into perspective for me. I now feel that I can list entry of a piece into a juried show as an accomplishment in its own right.
The workshop was the first step. Then prospective judges mustwrite critiques for a certain number of quilts and be evaluated to complete Part II. If they are successful then they are examined by mock judging a number of quilts from CQA’s National Juried Show. The outcome for me of doing the prep work, attending the workshop and doing the work is that now I have passed Part I and am a CQA Apprentice Judge ready to undertake Part II.
Well yet again my blog is late. Good reason I think. I just spent an intensive four days doing the exercises in Color and Compostion by Katy Pasquini Masopust. Why? It is required reading for the Canadian Quilters Association Judging Certification Part I. I had a lot of fun doing the exercises and it brought back to consciousness things I learned in University and have used in an intuitive way for years now.
If I am going to be the kind of judge I want to be it is necessary to be conscious about things like colour schemes, composition, the elements that comprise a given quilt and the principles of design. Again why do I need to be conscious of this? So that I can provide quality objective feedback to the quilt maker whose work I am judging,
Why do individuals enter quilt competitions? I can speak for my self as I have long entered quilt competitions. I enter my local show to help make it a show with enough quilts so that it will present an enjoyable exhibition for those who come to see it. Exhibited quilts aways draw people and we want to make something that will create a wonderful memory for them. So much effort goes into this by all the volunteers and very quilt shown makes a contribution to this.
So why would I enter a competition to be judged. I is rewarding to have a quilt accepted into a show. It is rewarding to have it recognized by a ribbon. I have discovered that is matters not whether we are very experienced or a relative beginner to receive that recognition. Another reason is that I appreciate objective feedback on my work and some constructive criticism about how I might improve my quilt. An example of what I mean comes from a show I judged a year ago. In my feedback I noted that there were two elements in the quilt that didn’t seem to have any relation to the other. I was shown the same quilt recently and the quilt maker had found a way to add something to her quilt that created a relationship between those two elements and in the process her quilt became a more arresting quilt to view. To me as a judge that was very rewarding.
I have been judging quilts for over 30 years. So why undertake certification. Judging has changed over time, systems vary and criteria has evolved. I believe that I will get the best, most up to date and objective information about judging available. I believe that I owe it to other quilters. Many times I have entered a show and my quilt is not an award winner and when I look at the feedback I get phrases that reflect a judges subjective opinion on my quilt. I often get a constructive criticism that really doesn’t help me improve the quilt. I feel hurt and that the judge didn’t understand. I feel strongly that those submitting their quilts for judging are entitled to comments that are objective and useful. So I am undertaking the certification process so that I can use my education in a way that would benefit quilters and improve my judging skills. I want to be able to provide fellow quilters with that useful objective feedback that they deserve when they submit their quilts to a judging process. The curriculum, the pre-course work, the teachers indicate that this is will be an in-depth quality learning experience.
I highly recommend the exercises in “Color and Composition to all quilters. It stretches and inspires creativity. For me it has also taught me that in the words of a quilter in our guild – “just start”. I was amazed at what I found within me.
Posted in art, competition, creativity, Design, Uncategorized
Tagged art, colour, creativity, fibre, inspiration, judging program, quilting
My last post was a month ago. I have been participating in the Alberta election campaign 2015. It has been 28 days of a most intense experience. Before the 28 days there was getting ready, not knowing for sure whether or when an election might be called but anticipating it and getting ready based on that speculation. When there isn’t a fixed election date then the opposition parties can only guess and take a chance. If you are wrong then it is an expensive misstep for contributors and even if not sure you try reading signals and guessing correctly and preparing while trying to be careful with the resources available to a constituency. This post is a tale of one Alberta constituency’s journey through an election campaign from the point of view of me – who served my MLA’s campaign office manager.
This was a lot of work. However the work fits the following definition of happiness Charles Murray named four criteria as necessary for happiness in his “Happiness of the People” speech. To be the source of deep satisfaction a human activity must be: important – not trivial, require effort – doesn’t come easily, hold you responsible for the consequences – give your your very best effort, and stretch your abilities – pull you to a higher achievement. So at the end I am happy with my participation and contribution.
An election campaign for an individual MLA begins right after the last one ends with fundraising so that one can do it again. My constituency works hard at this, and this time we had a year less to do it than we expected. About a year ahead, in this case 88 days out our association transforms into a planning committee. We plan to start calling constituents asking them to volunteer, we find a location for our campaign. This is a space that will house the volunteers and the staff as they undertake their work which will culminate, you hope in the election of your candidate. As you are doing that you search for staff and volunteers to fill the various positions needed. The party I support if fuelled mainly by volunteers. I call this grassroots community development with individuals coming together as a team to live the values they hold and to help translate those ideals into the election of a person who can support them in the legislature.
Once an office is found then you go shopping. Shopping consists of finding and borrowing what is needed to set up an office. I find this a great fun project because it challenges my ingenuity and creativeness. Most things are second hand or if new must be very inexpensive. Out of this must come a functional space that is welcoming. One delightful addition to our office this time was some Fiestaware dishes a constituency exec member and I found at the Army and Navy in our party’s colours. This provided amusement for all who used them. We even managed to find a place to store them for next time, although I don’t think our MLA knows that we are going to use the loft in her garage this way.
In the days leading up to the election computers, photocopiers and phones are installed. Forms are developed and photocopied; phoning for volunteers increases to a fever pitch. The campaign manager and voter contact staff start to work out strategies to contact voters and get their commitment to support our candidate.
The writ is dropped! Volunteers start to appear to put up signs, to person the phone banks, to door knock, to do office tasks, to answer calls coming into the office and to greet people who walk in, to to make meals, to keep the office clean. The office is a cross between an office and a home for a brief time. In our constituency there is a history of feeding both staff and volunteers. It helps keep people healthy during very long days and it creates a welcoming atmosphere where volunteers can chat, discuss ideas and meet like minded folk. People come from all walks of life, every person is valued for their contribution to the team no matter how big or small, whether the contribution istime or money. What is held in common is a commitment to a goal. Work is found for everyone who comes to volunteer and each is recognized for what they do. This common purpose develops a sense of camaraderie. There is fun and laughter and progress is noted in the number of signs in the community and the number of people committing to support our candidate. We gave certificates for making the most buttons in a day and for dedication to data entry. One constituent wrote a poem. There are unexpected treats that come through the door, a chocolate cake, some awesome banana chocolate muffins, ice cream, homemade chocolate chip cookies. Food is a good fuel along with lots of coffee and tea. The homemade treats disappear. Creative recipes for a crowd and made in a crockpot are sought after. Then one waits and hopes that these experiments will be enjoyed. I can see what a chef might feel like as they wait for the outcome of their efforts.
This election campaign was unique for our constituency as our candidate was also leader of the party. Calls came to our number and our e-mail from all over the province. People wanted signs all over the province. People called to say that they were changing party allegiance, there were questions on policy and advice on how to get elected. It was a bustling office where we all worked hard and had good fun. Fun included going to rallies and one of the best was standing outside Global studios before the debate to welcome our leader. Indeed members from the various parties stood together waving their signs. For me this was one of the best displays of democracy I have ever seen. Each person’s right to their views and to support whom ever they wish respected. Coffee was brought by one party and shared with all the participants regardless of party affiliation.
On election night we tallied the reports from our inside scrutineers. We were confident that our MLA would be re-elected. There was a bonus this election – my effort as part of a much larger team helped achieve an outcome that many of us had only dreamed of. In my case for a lifetime. 53 MLA’s were elected and our MLA became Premier of Alberta. Five days later I still feel shivers running up and down my spine with the excitement of this moment. History was made last Tuesday in Alberta and it is being made as each day passes. A number of factors have come together to elect a pragmatic, analytical, down-to-earth, warm caring woman who can see clearly the big picture as well as attend to details. Here’s to Rachel Notley a leader who is up for the monumental task along with her MLA’s of helping Albertans become their potential in empowering ways.
I don’t usually include photographs of others in my blog however as this picture appeared on Facebook I am making an exception. This photograph includes the staff and some of the volunteers from Edmonton Strathcona with our new Premier elect Rachel Notley.
Notley’s Edmonton Strathcona Crue
Posted in Journaling
Some of my New York photos were taken because the combination of colour with lines creating patterns spoke to me. These photographs especially created bright spots in a grey New York (I can see where the images of Gotham come from.) The photographs are shared here in the hopes that readers will find inspiration in them and or just enjoy the colours.
I was quite taken by the parquet flooring in Stella McCartney. The colours changes subtly from one area of the store to another. The stairs create an optical illusion that is has an interesting possibility for a quilt I think. In Kate Spade the whole store bloomed with colour and the displays of merchandise were colour blocked with the books along the ceiling shelves signalling the movement of the merchandise colours. The walls in certain areas combined the colours to create a saturated environment for the bags, shoes and other merchandise. Gundrun Sjoden featured rugs and light fixtures that echoed the brightness of the clothing. The feeling was of being in a garden. Mood fabric had the rolls organized by fibre content with a riot of colour in each section.
This is a very short post again as the Alberta election was called last Tuesday and I am devoting my days to my MLA’s reelection campaign. It is a wonderful time, as the Office Manager I get to meet so very many interesting people on the phone or who drop in for signs or to volunteer or tell us of their support. It is an intense learning experience and my horizons have expanded. I highly recommend it.
Happy Easter! I had a few minutes on Friday and it was sunny so out to my garden I went with camera in hand. I found purple and yellow crocus’ blooming. Daffodils are poking through the soil and some tulips are coming up.
This is a brief post to say that my regular posts each Sunday may vary in the next month or so. I have been volunteering for my MLA as we ready for a Spring election. As soon as the election is called (which I have reason to think will be soon) I will disappear into the campaign office.
Earlier this year I posted about receiving the package of fabrics for the Trend-Tex challenge from the Canadian Quilters Association. The fabric was full of possibilities. So now the piece is completed and mailed off. This morning’s blog will analyse the creation of the quilt.
This analysis will be a look back to my design (plan) based on the design elements and principles. Different publications divide the elements and principles in different ways. However the words are the same. I chose to use the Canadian Quilters Association categories. Their standards show under elements: line,shape, pattern, texture, colour. Principles of design include balance, rhythm, harmony emphasis and proportion.
Part of my design was a given. The colours of the package were determined. Thus design development began there. The colours are: navy blue, marsala (red), yellow rust print, a floral print incorporating marsala, gold/yellow with a grey background and last of all a grey print. So eliminating the grey, not a colour that leaves blue, red and yellow or the three primary colours thus a Triadic colour scheme. I view the colours as tones with the addition of grey to each one. The colours taken together are harmonious (principle), i.e. working together in a pleasing way.
I set the fabric out and put the design problem in my mind. As I pass it, I think about the title of the Trend-Tex challenge “Blowin’ in the Wind”. I also think about Lethbridge. The wind blows incessantly in Lethbridge (at least on the occasions when I have been there). Lethbridge is arid prairie and there are portions of spectacular cliffs exposing the strata of the earth below. So my mind evolves to a landscape that will incorporate the sense of wind i through some of the quilting and the embellishment. The piece will be horizontally oriented and the lines and shape (elements) will echo the topography of the location. Consideration has to be given to how I can get the horizontal length of fabric to provide the emphasis (principle) that will tell the viewer that this is a Lethbridge area landscape.
To construct the piecing of the wall hanging I refer to “Create Your Own Free-Form Quilts” by Rayna Gillan. She provides the details for free-hand cutting and sewing. I find them a wonderful review and as I often have a visual problem understanding this technique I took notes and made a sample that I can keep. This book opens me to all kind of ideas for abstract quilts but due to time I limit my enthusiasm and keep focused.
As the top evolves from the fabric I am concerned about the balance (principle) between earth and sky. As I am thinking about the line between earth and sky. I also consider the weight of each fabric. Certainly the yellow is the most dominant. However the marsala and the navy blue balance are used to balance out the amount of yellow. l decide to make the earth ⅔’s of the piece and the sky and sunset ⅓. This achieves a horizontal balance.
Lines in the quilting are used to support the horizontal design of the quilt. The earth echoes the strata of the earth while the sky quilting lines are slightly modified to give a sense of movement in the clouds and still maintain the horizontal image. The middle section representing the surface of the earth is quilted with long diagonal sweeping quilting lines to emphasize (principle) the blowing wind.
Now for the focal point (emphasis). This is created by a series of hand painted loosely interpreted tumbleweeds across the earth surface of the wall hanging.
I felt that the quilt needed a boundary but a minimal one, in proportion (scale) to the piece. I chose using the 4 different strip method I learned from Yvonne Porcella some years ago. They form a narrow binding and minimally contain the piece. I could have chosen a piece without a visual binding but felt that the binding was needed to complete the piece.